This presentation of Bruce Baillie’s film Quick Billy (1967-70), followed by a discussion with Baillie, explored Baillie’s influence on Weerasethakul’s work. Quick Billy is both a “horse opera in four reels” and a visual translation of the Tibetan Book of the Dead. Offered as autobiography communicated through landscape (“I considered Quick Billy a kind of interior documentary,” says Weerasethakul), the film features Baillie himself as the titular gunslinger in the sepia-toned mini-Western that concludes the film. This screening and discussion was presented by Apichatpong Weerasethakul as part of the exhibition “Apichatpong Weerasethakul: Primitive.”